Theater Arts

The Bible in Theater and Literature

Term: 
Sep 22 2003 - Dec 12 2003
Sponsoring Faculty Member: 
Karin Magaldi (Theater Arts)
Instructor: 
Leslie J. Ormandy

This course is designed to give students who have no familiarity with The Bible an overview of its importance as the underlying text for much of Western Literature. It is based upon the premise that without first understanding what is actually on the page, students cannot accurately layer on another critical approach. Students will read parts of The Bible, as well as some of the more important literature which The Bible informs. The course is keyed to provide a "quick-book" approach, by teaching the two components jointly, not separately. There will be much reading, in class free-writing, two short quizzes, one three page paper, and a creative project.

The Bible in Theater and Literature

Term: 
Sep 23 2002 - Dec 13 2002
Sponsoring Faculty Member: 
Karin Magaldi (Theater Arts)
Instructor: 
Leslie J. Ormandy

This course is designed to give students who have no familiarity with The Bible an overview of its importance as the underlying text for much of Western Literature. It is based upon the premise that without first understanding what is actually on the page, students cannot accurately layer on another critical approach. Students will read parts of The Bible, as well as some of the more important literature which The Bible informs. The course is keyed to provide a "quick-book" approach, by teaching the two components jointly, not separately. There will be much reading, in class free-writing, two short quizzes, one three page paper, and a creative project.

Into to Mixed-Ability Dance Theory and Practice

Term: 
Mar 31 2003 - Jun 13 2003
Sponsoring Faculty Member: 
Karin Magaldi (Theater Arts)
Instructor: 
Erik Ferguson

Have you ever thought you were too old, tall, short, fat, thin, disabled. . .to dance? Many professional companies employ dancers that fit into these categories because it provides interesting variability on stage. Everyone had unique strengths that no one else has. Everyone can play, everyone can dance, and dance is fun! Professional mixed-ability dance companies are starting to gain media attention. What does this mean? This class will explore these and other issues while learning some of the techniques these companies employ. No experience required and ALL abilities welcome.

Auditioning: How to Give Your Best Performance in Theatre and Film Auditions

Term: 
Mar 29 2004 - Jun 11 2004
Sponsoring Faculty Member: 
Christine Menzies (Theater Arts)
Instructor: 
Damon Millican

Life presents us with challenges. We must "audition" every day. Actors must audition for stage and film work. This class will provide practical guidelines on the process of auditions and useful tools for auditioning. Important audition elements such as concentration, truth, spontaneity, energy, humor, courage and skill will be covered. Topics will include: theatre scenes, monologues, as well as auditioning for film/television, and musicals. It will be lively, practical, hands-on class for anyone interested in getting their feet wet, or improving their skills. Novices and seasoned veterans are welcome.

Intro to Jane Austin on Film

Term: 
Mar 29 2009 - Jun 11 2009
Sponsoring Faculty Member: 
William Tate (Theater Arts)
Instructor: 
Fianna MacGregor

Like Shakespeare, Jane Austin is more popular today than in her own lifetime. Because of her popularity, her novels have been made into numerous film adaptations. But what is it about these films that draw huge crowds of movie-goers to see stories many of us know by heart? What is it about her stories that make us see every version ever made of the novels and make us think wistfully: "If only I were Jane. . ." In this introductory class to we will explore these questions as well as the cultural impact and historical significance of Jane and her texts.

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